Talking about my Work

Some people say talking to others about your writing can be fatal to your desire to write, that your ideas will evaporate if exposed, your feelings of intimacy and revelation in the story will be lost, and you risk criticism that can have destructive effects on your desire to write.

They say you should keep your writing a secret. Tell know one you are a writer and never talk about what you are writing. And for those who do know you are a writer, when they ask what you’re working on, do not tell them anything.

The problem with the global admonition about talking about your work is each of us is an individual with our unique thoughts, motives, and inhibitions. What works for one person, may or may not work for someone else. Some people might experience the above problems. For them, keeping their work secret might be best. For me, the opposite happens. My friends know better than to ask me about what I’m writing. They know it will set me off into a long-winded presentation about everything going on in my head. I become excited. I become empowered. I become effervescent, bubbling and oozing, making a mess all over the place. Being aware of this, I try to restrain myself, but it’s difficult.

If keeping secrets helps you succeed, do that. If talking to your friends and family helps you, do that (if your friends and family can take it).

That said, when I talk about my writing and my stories, I tailor my lecture to the audience. For some people — the ones I know don’t really care or understand — I say little more than I’m writing science fiction/fantasy. For others, I give them my elevator speech (especially if we’re actually riding an elevator.) For those who already know a great deal about what I’m writing, I’ll expound on some new story world revelation or nifty scene that has occurred to me. With my first-line alpha readers, I share actual written words. Since everything I write is an experiment, I rely on their reactions to help gauge how well the experiments work.

Beyond simply talking about my writing as described above, when I’m to the point of having prose I consider to some degree finished, I trust my beta readers to help me polish the words. Instead of talking, I give them the manuscript to read and mark-up. This is an entirely different level of sharing my writing, so it does not count toward the admonition about talking about my work.

My advice: Do what works best for you.